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Two women. Two flights. One last chance to disappear.
Claire Cook has a perfect life. Married to the scion of a political dynasty, with a Manhattan townhouse and a staff of ten, her surroundings are elegant, her days flawlessly choreographed, and her future auspicious. But behind closed doors, nothing is quite as it seems. That perfect husband has a temper that burns as bright as his promising political career, and he’s not above using his staff to track Claire’s every move, making sure she’s living up to his impossible standards. But what he doesn’t know is that Claire has worked for months on a plan to vanish.
A chance meeting in an airport bar brings her together with a woman whose circumstances seem equally dire. Together they make a last-minute decision to switch tickets―Claire taking Eva’s flight to Oakland, and Eva traveling to Puerto Rico as Claire. They believe the swap will give each of them the head start they need to begin again somewhere far away. But when the flight to Puerto Rico goes down, Claire realizes it’s no longer a head start but a new life. Cut off, out of options, with the news of her death about to explode in the media, Claire will assume Eva’s identity, and along with it, the secrets Eva fought so hard to keep hidden.
For fans of Lisa Jewell and Liv Constantine, The Last Flight is the story of two women―both alone, both scared―and one agonizing decision that will change the trajectory of both of their lives.
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“It’s hard to become engrossed in a book just now, with so much noise crackling inside and outside of our heads, but The Last Flight is thoroughly absorbing — not only because of its tantalizing plot and deft pacing, but also because of its unexpected poignancy and its satisfying, if bittersweet, resolution. The characters get under your skin.” —New York Times Book Review
“But it all works and comes together in a powerful, high octane, suspenseful read. Clark along with her two strong, courageous female characters effectively bring this exciting, fast paced story to a final satisfying conclusion.” —New York Journal of Books
“Propulsive prose drives Clark’s tale of the intersecting lives of these two smart and resourceful women, and emphasis is placed on the importance of female friendship and support. Readers will surely find themselves hopelessly invested in Claire’s and Eva’s ultimate fates. A tense and engaging womancentric thriller.” —Kirkus Reviews, starred review
“The moral dilemmas that the multifaceted, realistic characters face in their quest for survival lend weight to this pulse-pounding tale of suspense. Clark is definitely a writer to watch.” —Publishers Weekly, starred review
“Fans of thrillers about gone girls and vanished ladies will enjoy the tale, although some readers may wonder if Claire and Eva’s situations might better have been resolved in a more straightforward way.” —Booklist
“Clark (The Ones We Choose) is an exceptional writer who has crafted a tale about disappearing in an age when technology makes it almost impossible. Highly recommended for fans of thrillers, mysteries, and crime fiction.” —Library Journal, starred review
“The Last Flight is a delicious thrill ride of a read.” —BookPage, starred review
“The brisk pace and criminal elements make The Last Flight a thriller, but it’s also an affecting exploration of friendship and loneliness, and the search for one’s place in the world.” —Shelf Awareness
“The Last Flight is a page turner!”—People.com
“A premise that sounds highly thrilling takes its share of poignant turns, too.” —Entertainment Weekly
“The Last Flight is everything you want in a book: a gripping story of suspense; haunting, vulnerable characters; and a chilling and surprising ending that stays with you long after the last page.” —Aimee Molloy, New York Times bestselling author of The Perfect Mother
“I’m a sucker for suspense stories crafted around an airplane crash, and Julie Clark’s The Last Flight lived up to the hype and then some. Clark starts with a bang then keeps the pace at full throttle, deftly weaving two seemingly separate stories into one wild and entertaining ride. The perfect combination of beautiful prose and high suspense, and an ending that I guarantee will catch you off guard.” —Kimberly Belle, internationally bestselling author of Dear Wife and The Marriage Lie
“The Last Flight sweeps you into a thrilling story of two desperate women who will do anything to escape their lives. Both poignant and addictive, you’ll race through the pages to the novel’s chilling end. A must read of the summer!” —Kaira Rouda, internationally bestselling author of Best Day Ever and The Favorite Daughter
“Julie Clark’s The Last Flight is a stunner: both a compelling, intricately woven tale of suspense and a thoughtful, nuanced portrayal of two very different women, each at a dangerous crossroads in her life. I couldn’t turn the pages fast enough!”—Kathleen Barber, author of Truth Be Told and Follow Me
“Strong women take center stage in this Breaking Bad meets Sleeping with the Enemy thriller. The Last Flight has it all—original characters, fast pacing, and clever twists, all in one explosive package!” —Wendy Walker, nationally bestselling author of The Night Before
“The Last Flight will propel you headfirst into the frantic lives of two women, both determined to escape their current reality. Julie Clark weaves their stories effortlessly, delivering a pitch-perfect suspense novel that absolutely lives up to its hype. Do yourself a favor and pick this one up!” —Liz Fenton and Lisa Steinke, authors of The Two Lila Bennetts
“Get ready to hold onto the edge of your seat. This is a fantastic thriller about real people facing tremendous challenges. Exciting, touching, haunting, The Last Flight will stay with you long after you turn the final page. Julie Clark has written a bang of a novel.” —Rene Denfeld, internationally bestselling author of The Child Finder and The Butterfly Girl
“The Last Flight is a wild ride: One part Strangers on a Train, one part Breaking Bad, with more twists than an amusement park roller coaster! Julie Clark is a devilishly inventive storyteller.” —Janelle Brown, New York Times bestselling author of Watch Me Disappear
Monday, February 21
The Day Before the Crash
“Danielle,” I say, entering the small office that sits adjacent to our living room. “Please let Mr. Cook know I’m going to the gym.”
She looks up from her computer, and I see her gaze snag on the bruise along the base of my throat, concealed with a thin layer of makeup. I automatically adjust my scarf to cover it, knowing she won’t mention it. She never does.
“We have a meeting at Center Street Literacy at four,” she says. “You’ll be late again.” Danielle keeps track of my calendar and my missteps, and I’ve pegged her as the one most likely to report when I don’t arrive on time to meetings, or when I cancel appointments that my husband, Rory, deems important. If I’m going to run for Senate, we don’t have the luxury of making mistakes, Claire.
“Thank you, Danielle. I can read the calendar as well as you can. Please have my notes from the last meeting uploaded and ready to go. I’ll meet you there.” As I leave the room, I hear her pick up the phone and my step falters, knowing this might draw attention at a time when I can’t afford it.
People always ask what it’s like being married into the Cook family, a political dynasty second only to the Kennedys. I deflect with information about our foundation, trained to keep my focus on the work instead of the rumors. On our third-world literacy and water initiatives, the inner-city mentoring programs, the cancer research.
What I can’t tell them is that it’s a constant battle to find any privacy. Even inside our home, people are there at all hours. Assistants. Household staff who cook and clean for us. I have to fight for every spare minute and every square inch to call my own. There is nowhere that’s safe from the eyes of Rory’s staff, all of them devoted Cook employees. Even after ten years of marriage, I’m still the interloper. The outsider who needs to be watched.
I’ve learned how to make sure there’s nothing to see.
The gym is one of the few places Danielle doesn’t follow, trailing after me with her lists and schedules. It’s where I meet Petra, the only friend I have left from my life before Rory, and the only one Rory hasn’t forced me to abandon.
Because as far as Rory knows, Petra doesn’t exist.
When I arrive at the gym, Petra is already there. I change in the locker room, and when I climb the stairs to the rows of treadmills, she’s on the landing, taking a clean towel from the stack. Our eyes meet for a moment, and then she looks away as I help myself to a towel.
“Are you nervous?” she whispers.
“Terrified,” I say, turning and walking away.
I run for an hour, my eyes on the clock, and when I step into the sauna at exactly two thirty with a towel wrapped around my body, my muscles ache with exhaustion. The air is thick with steam, and I smile at Petra, who sits alone on the top row, her face red with heat.
“Do you remember Mrs. Morris?” she asks when I sit down next to her.
I smile, grateful to think of something from a simpler time. Mrs. Morris was our government teacher in the twelfth grade, and Petra almost failed the class.
“You studied with me every afternoon for a month,” she continues. “When none of the other kids would come near me or Nico because of who our father was, you stepped up and made sure I graduated.”
I turn on the wooden bench to face her. “You make it sound like you and Nico were pariahs. You had friends.”
Petra shakes her head. “People being nice to you because your father is the Russian version of Al Capone doesn’t make them friends.” We’d attended an elite school in Pennsylvania, where the children and grandchildren of old money viewed Petra and her brother, Nico, as a novelty, sliding up to them, as if on a dare, to see how close they could get, but never letting either of them all the way in.
And so we’d formed a trio of outcasts. Petra and Nico made sure no one made fun of my secondhand uniform or the beat-up Honda my mother used to pick me up in, rattling its way to the curb, belching exhaust in its wake. They made sure I didn’t eat alone and dragged me to school events I’d have skipped otherwise. They put themselves between me and the other kids, the ones who made cruel, cutting remarks about how I was merely a day student on scholarship, too poor, too common to truly be one of them. Petra and Nico were friends to me at a time when I had none.
It felt like fate, the day I walked into the gym two years ago and saw Petra, an apparition from my past. But I wasn’t the same person Petra would remember from high school. Too much had changed. Too much I’d have to explain about my life and what I’d lost along the way. And so I’d kept my gaze averted, while Petra’s stare drilled into me, willing me to look up. To acknowledge her.
When my workout was over, I made my way to the locker room, hoping to hide out in the sauna until after Petra had left. But when I’d entered, she was there. As if that had been our plan all along.
“Claire Taylor,” she said.
Hearing her say my old name made me smile despite myself. Memories came rushing back, found in the tone and cadence of Petra’s voice that still carried a trace of the Russian she spoke at home. In an instant, I had felt like my old self, not the persona I’d cultivated over the years as Rory’s wife, glossy and unknowable, burying her secrets beneath a hard surface.
We started slowly, making small talk that quickly turned personal as we caught up on the years since we’d last seen each other. Petra had never married. Instead, she drifted through life, supported by her brother, who now ran the family organization.
“And you,” she said, gesturing toward my left hand. “You’re married?”
I studied her through the steam, surprised she didn’t know. “I married Rory Cook.”
“Impressive,” Petra said.
I looked away, waiting for her to ask what people always asked—what really happened to Maggie Moretti, the name that will forever be linked to my husband’s, the girl who’d catapulted from anonymity to infamy simply because, long ago, she’d once loved Rory.
But Petra just leaned back on her bench and said, “I saw that interview he did with Kate Lane on CNN. The work he’s done with the foundation is remarkable.”
“Rory is very passionate.” A response that conveyed truth, if anyone cared to dig deeper.
“How are your mom and sister? Violet must be done with college by now.”
I’d been dreading that question. Even after so many years, the loss of them was still sharp. “They died in a car accident fourteen years ago. Violet had just turned eleven.” I kept my explanation brief. A rainy Friday night. A drunk driver who ran a stop sign. A collision in which they both died instantly.
“Oh, Claire,” Petra had said. She didn’t offer platitudes or force me to rehash things. Instead she sat with me, letting the silence hold my grief, knowing there was nothing that could be said that would make it hurt less.
It became our routine, to meet in the sauna every day after our workouts. Petra understood that because of who her family was, we couldn’t be seen talking in public. Even before we knew what I was going to eventually do, we’d been cautious, rarely communicating by phone and never by email. But in the sauna, we resurrected our friendship, rebuilding the trust we used to share, remembering the alliance that had gotten us both through high school.
It didn’t take long for Petra to also see what I was hiding. “You need to leave him, you know,” she’d said one afternoon, several months after we’d first met. She was looking at a bruise on my upper left arm, the remnant of an argument Rory and I’d had two nights earlier. Despite my efforts to hide the evidence—a towel pulled higher around my chest, hung around my neck, or draped across my shoulders—Petra had silently watched the progression of Rory’s rage across my skin. “That’s not the first one of those I’ve seen on you.”
I covered the bruise with my towel, not wanting her pity. “I tried to, once. About five years ago.” I’d believed it was possible to leave my marriage. I’d prepared myself for a fight, knowing it would be messy and expensive, but I’d use his abuse as leverage. Give me what I want and I’ll stay silent about the kind of man you are.
But it hadn’t happened that way at all. “Turns out, the woman I’d confided in, who’d tried to help me, was married to an old fraternity brother of Rory’s. And when Rory showed up, her husband opened the door and let him in, old boy-ing himself right alongside Rory, secret handshake and all. Rory told them I was struggling with depression, working with a psychiatrist, and that maybe it was time for something inpatient.”
“He was going to have you committed?”
“He was letting me know that things could get a lot worse.” I didn’t tell Petra the rest. Like how, when we’d gotten home, he’d shoved me so hard into the marble counter in our kitchen, I’d cracked two ribs. Your selfishness astonishes me. That you’d be willing to destroy all I’ve worked to build—my mother’s legacy—because we argue. All couples argue, Claire. He’d gestured around the room, to the high-end appliances, the expensive countertops, and said, Look around you. What more could you possibly want? No one is going to feel sorry for you. No one will even believe you.
Which was true. People wanted Rory to be who they thought he was—the charismatic son of the progressive and beloved Senator Marjorie Cook. I could never tell anyone what he did to me, because no matter what I’d say or how loudly I’d say it, my words would be buried beneath the love everyone felt for Marjorie Cook’s only child.
“People will never see what I see,” I finally said.
“You really believe that?”
“Do you think if Carolyn Bessette came forward accusing JFK Junior of hitting her, the country would have rushed to support her?”
Petra’s eyes widened. “Are you kidding me? This is the #MeToo era. I think people would be falling all over themselves to believe her. They’d probably create new Fox and CNN shows just to talk about it.”
I gave a hollow laugh. “In a perfect world, I’d hold Rory accountable. But I don’t have it in me to take on a fight like that. One that would go on for years, that would seep into every corner of my life and tarnish anything good that might come afterward. I just want to be free of it. Of him.”
To speak out against Rory would be like stepping into an abyss and trusting that I’d be caught by the generosity and kindness of others. And I’d lived too many years with people happily watching me free fall if it meant they could be close to Rory. In this world, money and power were equivalent to immunity.
I took a long breath and felt the steam reach down into my deepest corners. “If I left him, I’d have to do it in a way where he could never find me. Look what happened to Maggie Moretti.”
The edges of Petra’s face were blurry through the steam that billowed between us, but I could see her gaze sharpen. “Do you think he had something to do with that?”
“I don’t know what to believe anymore,” I answered.
Over the next year, Petra and I assembled a plan, choreographing my disappearance more carefully than a ballet. A sequence of events so perfectly timed, there could be no room for error, and now I sit, hours away from executing it. The hiss of steam clouds the air around us, Petra just a faint shadow on the cedar bench next to me. “Did you mail everything this morning?” I ask her.
“FedEx, addressed to you, labeled ‘Personal.’ It should arrive at the hotel first thing tomorrow.”
I couldn’t risk hiding all I’d gathered at my house, where anyone—the maids, or worse, Danielle—might find it. So Petra kept everything—forty thousand dollars of Rory’s money and a brand new identity, thanks to Nico.
“The new government technology is making it harder to make these,” he’d said, the afternoon I’d driven out to see him. We were sitting at his dining room table in his large home on Long Island. He’d grown into a handsome man, with a wife and three kids. And bodyguards—two posted at his gated driveway and another two at his front door. It occurred to me that Rory and Nico were not so different. Each of them the chosen son, pushed to carry the family into the twenty-first century, with new rules and regulations. Both expected to do more than the last generation—or at the very least, not lose everything.
Nico slid a fat envelope toward me, and I opened it, pulling out a pristine Michigan driver’s license and a passport with my face and the name Amanda Burns. I flipped through the rest—a social security card, a birth certificate, and a credit card.
“You’ll be able to do anything with these,” Nico said, picking up the driver’s license and tilting it under the light so I could see the hologram embossed on the surface. “Vote. Pay taxes. Fill out a W-2 form. This is high-level stuff, and my guy is the best. There’s only one other person who can make a full package this good, and he lives in Miami.” Nico handed me the credit card—a Citibank account with my new name on it. “Petra opened this last week, and the statements will be sent to her address. When you get settled, you can change it. Or toss this card and open a new one. Just be careful. You don’t want someone to steal your identity.”
He laughed at his joke, and I could see the boy he used to be flash across his face, sitting next to Petra and me at lunch, eating his sandwich while doing his math homework, the weight of who he was expected to become already bearing down on him.
“Thanks, Nico.” I passed him the envelope containing ten thousand dollars, a small fraction of the money I’d managed to siphon off and squirrel away over the past six months. One hundred dollars here. Another two hundred there. Cash back whenever I could, slipping the money into Petra’s gym locker every day so she could hold it until I was ready.
His expression grew serious. “I need you to know that if something goes wrong, I can’t help you. Petra can’t help you. Your husband has resources that would put me, my livelihood—and Petra’s—at risk.”
“I understand,” I told him. “You’ve done more than enough, and I’m grateful.”
“I’m serious. All it takes is one tiny thread connecting your new life to your old one and it’ll all fall apart.” His dark eyes latched onto mine and held. “You can never go back. Not once. Not in any way, ever.”
“Rory’s scheduled the plane to leave around ten,” I tell Petra now. “Did you remember to include my letter? I don’t want to have to rewrite it on hotel stationery ten minutes before I leave.”
She nods. “In with the rest of it. Addressed and stamped, ready to be mailed from Detroit. What did you say?”
I think about the hours I’d spent, the many versions I’d shredded, drafting a letter that would close the door on any possibility that Rory might try to follow me. “I told him I was leaving, and that this time, he would never find me. That he should announce our separation publicly, tell them it was amicable and that I was not going to be giving any public statements or media interviews about it.”
“One week before he announces his run for Senate.”
I give her a smirk. “Should I have waited until after?”
Once I’d saved enough money to carry me into a new life, I began to look for the perfect opening to leave. I studied our Google calendar of upcoming events, searching for a trip I’d be taking alone, focusing on cities near the Canadian or Mexican borders. I found it in the Detroit trip. I’m scheduled to visit Citizens of the World, a social justice charter school funded by the Cook Family Foundation. An afternoon school tour followed by an evening dinner with donors.
I lean back on the bench behind me and stare up at the ceiling, obscured by a layer of steam, and run through the rest of the plan. “We land around noon. The school event starts at two, so I’ll make sure we go to the hotel first so I can get the package and put it somewhere safe.”
“I called the car rental place. They’re expecting a Ms. Amanda Burns to pick up a compact around midnight tonight. Will you be able to get a cab?”
“There’s a Hilton just down the road from where I’m staying. I’ll catch one from there.”
“I worry about someone seeing you leave with a suitcase in the middle of the night. Following you. Calling Rory.”
“I’m not taking it. I bought a backpack big enough for a couple changes of clothes and my money. I’m leaving everything else—including my purse and wallet—behind.”
Petra nods. “If you need it, I booked a room with the credit card at the W in Toronto. They’re expecting you.”
I close my eyes, the heat making me woozy. Or perhaps it’s the pressure of having to get every detail exactly right. There’s no room for even the tiniest mistake.
I feel the minutes slipping away. Pushing me toward the moment when I’ll take the first step in a series of steps that will be irrevocable. A part of me wants to forget it all. Go to Detroit, visit the school, and come home. Have more days in the sauna talking to Petra. But this is my chance to finally get out. Whatever options I have now will narrow to nothing once Rory announces his run for the Senate.
“Time to go.” Petra’s voice is soft, and my eyes open again.
“I don’t know how to thank you,” I tell her.
“You were my only friend all those years ago. You don’t have to thank me. This is me, thanking you,” she says. “It’s your turn to be happy.” She tightens her towel around her body, and I can see the flash of her smile through the steam.
I can’t believe this is the last time we’ll sit here. The last time we’ll talk. This room has been like a sanctuary, dark and quiet, with just our whispered voices, plotting my escape. Who will sit here tomorrow with her? Or the day after that?
I feel the finality of my departure looming, how absolute that ending will be, and I wonder if it’ll be worth it. If it’ll be better. Soon, Claire Cook will cease to exist, the shiny pieces of her facade cracked and discarded. I have no idea what I’ll find underneath it all.
Thirty-three hours until I’m gone.
A CONVERSATION WITH THE AUTHOR
What inspired you to write The Last Flight?
I’ve been intrigued by the idea of whether someone could disappear from their life for a long time, and have often played out the various ways they could do it in my imagination. The things they’d need. How they’d get them. Where they might go, and what they’d do when they got there. What they’d have to be leaving behind. I knew early on that I wanted it to be a woman, and I wanted her to have an inner strength, even if her current situation didn’t allow her to use it. What might be the tiny ways she’d fight back, fight for room for herself?
Which of the two women—Eva or Claire—did you enjoy writing more? Did you find either of them more challenging?
I love both of my characters for different reasons. I love how scrappy Claire is, how she can look at a situation and figure out how to make it work for her. And I love Eva because she’s so flawed yet lovable. I enjoyed writing them both. I would say writing Claire was more challenging, because I was pushing her forward in time, having her act and react to things she didn’t know yet. Eva felt more natural to me, living in the past, filling in the blanks. With Claire, the tension had to be immediate, the pacing had to be tight. With Eva, I was allowed to sink more into emotion, to flesh out her backstory and how she ended up where she did.
We’re in an era where women are finally starting to feel safe sharing their stories. How does this book relate to the #MeToo movement?
I wanted to acknowledge how hard it still is for women to come forward with their stories. Even in this era of #MeToo, the cost remains high both personally and professionally. Just because we have a name for it doesn’t mean it’s fixed.
Can you talk a little bit about the systemic forces of oppression that both Claire and Eva face? What made you choose to write about these topics?
As an educator, I feel like it’s my obligation to shine a light on what still isn’t working in our society. The way a woman’s truth is sometimes held to a higher level of scrutiny than a man’s. The benefit of the doubt that so often goes the other way. I’ve known people like Claire, and I’ve known people like Eva, for whom things don’t always turn out okay. In the United States, we like to talk a lot about progress; however, change— not just for women but for all marginalized groups—is slow. Too slow.
What does your writing process look like?
I wake up early in the morning to write. During the workweek, I’m up at 3:45 and write until 6:00. Then I teach a full day of school and shuttle my kids here and there after school, making dinner, supervising homework. Early mornings—with a large pot of coffee—is my most productive writing time. My process is somewhat old school. I favor drafting with paper and pen, especially if I’m having trouble. It slows my brain, it allows me to put down words that “don’t count,” and it allows me to get warmed up before committing words to my computer. I draft pretty fast—I think I had a first draft of The Last Flight done in about three or four months. Then I like to spend a year or more revising and rewriting.
As a genre, suspense is huge right now. How do you think this story sets itself apart from other books in the space?
I feel like this book has the commercial appeal of the suspense genre, with the emotion often found in upmarket women’s fiction. But what really sets this book apart from the others on the shelves is the fact that I wanted both of my protagonists to be strong, savvy women. There’s nothing crazy or unstable about Claire or Eva. It’s important that the stories we tell reflect the strong women in the world today.
How did you map out all the twists and turns that happen throughout the story?
With lots and lots of note cards! It was really challenging to be writing a dual timeline and then weave it all together. It helped to have a clear vision for how the book would end, and I knew the ending pretty early on. From there, I mapped out Claire’s and Eva’s story arcs—what I wanted each of them to overcome, what I wanted each of them to learn.
What is the importance of female friendship in a narrative like this one? Have you found friendship with women to be just as important in your life as it is in Eva’s and Claire’s?
Female friendship is incredibly important in this story. We can all think about that one friend who showed up right when we needed her, giving us exactly what we needed to push us forward. I have been lucky enough to have some amazing female friendships. And as a single mother, it’s especially important to have those touchstones. My friends keep me sane. They make me laugh. They listen to what I’m struggling with and step in to help in innumerable ways. Humans are, by nature, social animals. And while I’m a dedicated introvert, I rely on my friends every day.
Why did you decide to set a thriller in Berkeley?
After college, I landed a job in the Cal Athletic Department. I worked in fundraising, so I spent a lot of time at Memorial Stadium, as well as Harmon Gym (which would later become Haas Pavilion). It was the best job for a just-graduated-from-college person who wasn’t entirely sure she was ready to have a “real job” yet. I loved my years in Berkeley, made many great friends there, and often dream of moving back someday. I decided to set The Last Flight in Berkeley so I could revisit it in my imagination. Go Bears!
What are you hoping readers gain from The Last Flight?
I want readers to be inspired by the courage of both Claire and Eva, who did what felt impossible to each of them. No matter the circumstances, there’s a way out. As Claire’s mother put it: If you pay attention, solutions always appear. But you have to be brave enough to see them.
1. What do Claire and Eva have in common? In what ways are they different?
2. How do you feel about Eva’s decision to manipulate Claire?
3. Put yourself in Claire’s shoes. How would it feel knowing that you’ve traded your life for someone else’s? Would you feel guilty or fortunate? Why?
4. Describe the obstacles Claire faces once she escapes from Rory. Were there any difficulties that surprised you?
5. Compare Claire’s relationships with other women in the book like Eva, Danielle, Petra, and Kelly. Are any of these women similar? In what way?
6. Discuss Eva’s childhood. How does it affect how she behaves as an adult?
7. Identify some of the triggers Claire faces as a result of Rory’s abuse. How do you think she can overcome them?
8. Claire makes the difficult decision to go public with her story, knowing full well that she may be met with criticism and disbelief. Why did she make this decision? Would you have handled the situation differently?
9. Liz is the only person Eva allows to get close to her. Describe their friendship. Why is it important to Eva? What does it mean to her?
10. Eva faces several huge difficulties in her life. Do you think her drug dealing is justified, given her circumstances?
11. Characterize Eva’s relationship with Dex. Why does she feel betrayed when she learns the truth about him?
12. How did you feel after reading Eva’s final chapter? Do you think there was anything different she could have done?
13. What do you think Claire will do next with her life? Will she be happy?